Gully Boy - flawed pedagogy on talent, success and its mistaken subalternity

Zoya Akhtar’s Gully Boy is probably one of those rare Bollywood offering that has had both the masses and classes cheering and rooting for it. While we can leave out the masses and the film's box office performance for the moment, does the film really add much more to scratch as it is being made out by some critics? Encomiums for the film has emerged even from more left leaning news media sites i.e. The Scroll, The Wire and Huffington Post who all had very positive reviews. I was finally nudged to view the film when the more academic EPW too carried a piece, effusive of the film's supposed less than formulaic rendering of subaltern dreams. The plot and premise of the film, I avoid going into here which one safely assumes is well known by now. When I came out of the packed multiplex, I was quite overcome with a sense of ambiguity and confusion. While the crowd probably was not dished a Salman Khan trash or Karan Johar’s shameless celebration of affluence, but then I wonde